ID de tableau:: 1136
Susanna and the Elders Susanna et l-Aîné 1600
Art History Museum, Vienna 1600 Le Musée d-Histoire d-art, Vienne 1554-1640
Italian
Jacopo da Empoli Location
ID de tableau:: 2596
Susanna and the Elders Susanna et lAîné 1517
Galleria degli Uffizi, Florence 1517 La Galerie des Bureaux, Florence Italian
1480-1556
Lorenzo Lotto Galleries
Italian painter, Venetian school (b. 1659, Belluno, d. 1734,
Venezia).
ID de tableau:: 8916
Susanna and the Elders Susanna et l-Aîné 1713
Oil on canvas, 83,2 x 102,2 cm
Collection of Lord Chatsworth, Chatsworth 1713 Huiler sur le canevas, 83,2 x 102,2 cm La collection de Chatsworth de Seigneur, Chatsworth Italian painter, Venetian school (b. 1659, Belluno, d. 1734,
Venezia).
ID de tableau:: 28631
Susanna and the Elders Susanna et l~Aîné, mk61 c. 1555Pétrole sur le canevas 58x116cm mk61
c.1555
Oil on canvas
58x116cm
1518-1594
Italian Tintoretto Galleries
ID de tableau:: 28650
Susanna and the Elders Susanna et l~Aîné, mk61 1617 Huilent sur le canevas175x207cm mk61
1617
Oil on canvas
175x207cm
Italian Baroque Era Painter, 1591-1666
ID de tableau:: 30247
Susanna and the Elders Susanna et l~Aîné, nn05 c. 1555 Le troisième voyeur s~est tenu avant le canevas nn05
c.1555
The third voyeur stood before the canvas
Italian Mannerist Painter, ca.1518-1594
ID de tableau:: 32224
Susanna and The Elders Susanna et L~Aîné Oil on canvas, 202 x 7 cm Huiler sur le canevas, 202 x 7 cm Italian Mannerist Painter, 1535-1607
ID de tableau:: 34462
Susanna and the Elders Susanna et l~Aîné, mk93 1647 Huilent sur le bois 30 1/8x36 1/2in Gemaldegalerie, Berlin mk93
1647
Oil on wood
30 1/8x36 1/2in
Gemaldegalerie,Berlin
Born 1606, Died 1669
ID de tableau:: 39598
Susanna and the elders Susanna et l~aîné, 146.6x193.6cm de Canevas de c.1555/6 de mk150 mk150
c.1555/6
Canvas
146.6x193.6cm
Italian Mannerist Painter, ca.1518-1594
ID de tableau:: 73136
Susanna and the Elders Date
Medium Oil on canvas
Dimensions 202 X 117 cm (79.53 X 46.06 in)
cyf Italian Mannerist Painter, 1535-1607
(May 3, 1535 - September 22, 1607) was an Italian portrait painter of the late Mannerist Florentine school.
Born in Florence, in 1540, after the death of his father, he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy.
ID de tableau:: 83117
Susanna and The Elders second half of 16th century
Medium Oil on canvas
cyf (May 3, 1535 - September 22, 1607) was an Italian portrait painter of the late Mannerist Florentine school.
Born in Florence, in 1540, after the death of his father, he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy.
(1583 - 4 April 1633 (buried)) was a Dutch painter . Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens. In his paintings Lastman paid a lot of attention to the faces, hands and feet.
Pieter Lastman was born in Amsterdam, the son of a town-beadle, who was dismissed in 1578 for being a Catholic. His mother was an appraiser of paintings and goods. His apprenticeship was with Gerrit Sweelinck, the brother of Jan Pieterszoon Sweelinck. Between approximately 1604 and 1607 Lastman was in Italy, where he was influenced by Caravaggio (as were the painters of the Utrecht School a few years later) and by Adam Elsheimer. Back in Amsterdam he moved in with his mother in the Sint Antoniesbreestraat, living next to mayor Geurt van Beuningen. Lastman never married although he promised to marry the sister of Gerbrand Adriaensz Bredero. Because of his health Lastman moved in with his brother in 1632. He died the next year and was buried in the Oude Kerk.
ID de tableau:: 84567
Susanna and the Elders Date 1614(1614)
Medium Oil on oak
Dimensions Height: 42 cm (16.5 in). Width: 58 cm (22.8 in).
cjr (1583 - 4 April 1633 (buried)) was a Dutch painter . Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens. In his paintings Lastman paid a lot of attention to the faces, hands and feet.
Pieter Lastman was born in Amsterdam, the son of a town-beadle, who was dismissed in 1578 for being a Catholic. His mother was an appraiser of paintings and goods. His apprenticeship was with Gerrit Sweelinck, the brother of Jan Pieterszoon Sweelinck. Between approximately 1604 and 1607 Lastman was in Italy, where he was influenced by Caravaggio (as were the painters of the Utrecht School a few years later) and by Adam Elsheimer. Back in Amsterdam he moved in with his mother in the Sint Antoniesbreestraat, living next to mayor Geurt van Beuningen. Lastman never married although he promised to marry the sister of Gerbrand Adriaensz Bredero. Because of his health Lastman moved in with his brother in 1632. He died the next year and was buried in the Oude Kerk.
ID de tableau:: 85820
Susanna and the Elders Date 1890(1890)
Medium Oil on canvas
Dimensions 159 x 111 cm (62.6 x 43.7 in)
cjr German Painter, 1858-1925
(1583 - 4 April 1633 (buried)) was a Dutch painter . Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens. In his paintings Lastman paid a lot of attention to the faces, hands and feet.
Pieter Lastman was born in Amsterdam, the son of a town-beadle, who was dismissed in 1578 for being a Catholic. His mother was an appraiser of paintings and goods. His apprenticeship was with Gerrit Sweelinck, the brother of Jan Pieterszoon Sweelinck. Between approximately 1604 and 1607 Lastman was in Italy, where he was influenced by Caravaggio (as were the painters of the Utrecht School a few years later) and by Adam Elsheimer. Back in Amsterdam he moved in with his mother in the Sint Antoniesbreestraat, living next to mayor Geurt van Beuningen. Lastman never married although he promised to marry the sister of Gerbrand Adriaensz Bredero. Because of his health Lastman moved in with his brother in 1632. He died the next year and was buried in the Oude Kerk.
ID de tableau:: 88418
Susanna and the Elders 1614(1614)
Medium Oil on oak
cyf (1583 - 4 April 1633 (buried)) was a Dutch painter . Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens. In his paintings Lastman paid a lot of attention to the faces, hands and feet.
Pieter Lastman was born in Amsterdam, the son of a town-beadle, who was dismissed in 1578 for being a Catholic. His mother was an appraiser of paintings and goods. His apprenticeship was with Gerrit Sweelinck, the brother of Jan Pieterszoon Sweelinck. Between approximately 1604 and 1607 Lastman was in Italy, where he was influenced by Caravaggio (as were the painters of the Utrecht School a few years later) and by Adam Elsheimer. Back in Amsterdam he moved in with his mother in the Sint Antoniesbreestraat, living next to mayor Geurt van Beuningen. Lastman never married although he promised to marry the sister of Gerbrand Adriaensz Bredero. Because of his health Lastman moved in with his brother in 1632. He died the next year and was buried in the Oude Kerk.
ID de tableau:: 94735
Susanna and the Elders 1517
Type Oil on panel
Dimensions 66 cm x 51 cm (26 in x 20 in)
cyf Italian
1480-1556
Lorenzo Lotto Galleries
ID de tableau:: 94798
Susanna and the Elders 1607
Type Oil on canvas
Dimensions 94 cm x 66 cm (37 in x 26 in)
cyf Flemish Baroque Era Painter, 1577-1640
(November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century.
Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes.
ID de tableau:: 94945
Susanna and the Elders Date first half of 17th century
Medium oil on canvas
Dimensions 144 x 213 cm (56.7 x 83.9 in)
TTD (November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century.
Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes.
